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Reminiscing with a Couple of Grenades and Majinis: New Resident Evil 5 DLC Reviewed

Want more Resident Evil 5 content? Unless you plan on diving into co-op mode, I couldn’t possibly understand why, but hey, more power to you. Just don’t let the year that flew past us distract you from the game’s original flaws, because they stick to the two DLCs recently released.

Find out what “Lost in Nightmares” and “Desperate Escape” have to offer in this RadNerd review.

Hey, remember the days when Chris Redfield and his sassy BSAA partner, Sheva Alomar, crunched those mean ol’ Majinis side by side? I can still smell the blood rusting on the chainsaws, feel the Reapers using my guts as Play-Doh, and hear Sheva’s incessant nonsense about needing more ammo. Not to mention all the cheesy love and hugs (and, erm, Wesker drama) that hitched a ride with frustrating QTAs hogging the steering wheel. My brain can replay all that action as if it were yesterday … maybe because it practically was yesterday. Okay, a year does not equate to the concept known as “yesterday,” but Resident Evil 5 is managing against any non-masochistic odds to surf its fairly sized, “racist” wave of cheap tricks. I mean, did we all just forget how much the AI’s moronic antics bothered us or how much misery the final boss sequence caused us? Oohh, yes. Now the pain smacks you in the face.

Tags: Desperate Escape, DLC, Lost in Nightmares, PlayStation 3, RadNerd, Resident Evil 5, Xbox 360
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Lords of Shadow Dominates New Territory

Eager about the upcoming Castlevania game for the PlayStation 3 and Xbox 360? I am, and you can pronounce your love by checking out these new screens and a quickie debate about Lords of Shadow’s direction over at OneMetal.

Are you prepared to whip and magically cast Dracula across vast stretches of, well, 3D expanse? The new screenshots and artwork batch uploaded today suggests a bigger, denser world for gamers to explore. But can the developers and the assisting Kojima Productions rework the aging series into a hot-blooded successor?

Tags: Castlevania, Kojima Productions, Konami, Lords of Shadow, OneMetal, PlayStation 3, Xbox 360
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Jam to Resonance of Fate

Those anticipating the trigger-happy RPG, Resonance of Fate, can download two free tracks to bide the time until its March 16 release (PlayStation 3, Xbox 360). Whether or not you actually listen to video game soundtracks, the songs will give you a nice taste of what Resonance of Fate has to offer.

The zip file, however, does not include the cool metal-esque song featured in this trailer. Of course not.

Will you pick up the SEGA game in a few weeks?

Tags: PlayStation 3, Resonance of Fate, Sega, Xbox 360
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The Prince, Now Environmentally Savvy

Put those Jake Gyllenhaal posters away, my fellow Prince of Persia junkies. The upcoming Forgotten Sands, which fills in the seven-year blank between the first two main games, adds an elemental touch and promises to deliver more classic time slidey, puzzle solving, sword slashing goodness.

Everything's better with the undead. Everything.

Level design director Michael McIntyre reports that the new adventure will let gamers play in a time-manipulating sandbox more akin to The Sands of Time, a series highlight. When the Prince decides to pay his brother a visit, he discovers Malik’s city overrun by the sand fiends with whom he struck a deal. Since The Forgotten Sands emerges fresh out of The Sands of Time, players can rewind time in a cinch. When the Prince befriends a Djinn named Razia, she instills in him various elemental powers.

Puzzles and combat balance evenly for the most part, and as many as fifty enemies will bombard the hero simultaneously courtesy of the Anvil Engine (Assassin’s Creed II). McIntyre praises the new fighting style, which harnesses intense and flexible combat. He also explains, “The big mechanic here is to do your combos. But the combos don’t drive you in a straight line. It kind of feels like Sands of Time combat, but cranked up to eleven.”

I can smell the water already ... There's a hint of lemon.

The elemental powers intertwine with the Prince’s acrobatic feats, allowing the developers to establish brainteasing obstacles. For instance, the Prince can slow time to a standstill, solidifying water into a more performance-friendly implement. Eventually you’ll earn four core powers, which attach to the four trigger buttons. Dash combines air and fire, according to McIntyre: “It’s something you can quickly intuit as a player, but it opens up a lot of of possibilities.” Minor, customizable strengths, like the ability to summon mini tornadoes, can be purchased.

Another change includes the populace, who are no longer absent in a sense. Sand statue vignettes augment an otherwise linear story. “They breathe a lot into the world,” McIntyre commented. “It has that real Pompei vibe.”

Set for May on the PC, PlayStation 3, and Xbox 360 systems (a separate Wii game awaits on the sidelines), The Forgotten Sands makes a promising case for itself. For a more detailed look, visit Kotaku.com.

The only kind of timing I enjoy in video games: The not getting sawed in half kind.

Tags: Anvil Engine, Michael McIntyre, PC, PlayStation 3, Prince of Persia, The Forgotten Sands, Xbox 360
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PS3 Review: Mini Ninjas

Appealing to the stealthy ninja wannabe in all of us, Mini Ninjas sculpts eye-popping animation, cutesy forest animals, and all-ages entertainment into one package. Of course, more cynical gamers know that flowery aesthetics don’t equate to full genius, and even the stealthiest of heroes can’t ensure a mighty punch. Well, rest assured, because Mini Ninjas infuses all of its ancient samurai muscle into a presentation as reliable as bamboo-chomping pandas … predictable, mind-numbing pandas.

Mini Ninjas markets as a game satisfying to both children and adults, and the influence leaves a clear trail throughout the game’s entirety. The difficulty setting can be adjusted with one quick trip to the options menu, and even your enviable Kuji magic integrates various hint methods for when you get stuck chasing fireflies and picking tiger lilies. Luckily, there’s a lot to admire about such a feel-good game that doesn’t hesitate to pull at the heartstrings. As you zip through mesmerizing, gorgeous painted environments, you’ll relax with soothing music one moment and then glide into unleashing your fearsome ninja moves the next. Along with the user-friendly controls and activity pallet, the result feels virtually therapeutic—certainly advantageous when you need to unwind after a long day.

Regardless of the many hints sprinkled about, Mini Ninjas shows you the courtesy of free-style gameplay. You follow a basically linear course, but gamers are encouraged to meddle with different scenario approaches and take-down methods. The six ninjas at your beck and call each bring a distinguished technique to the array of challenges, and some are better suited to the present situation than others. Everything stacks together neatly; each level’s finish totals your score of freed animals, compiled potion ingredients and scrolls, special gold tokens, and Jizo statues and allows you to replay sections at more convenient times. The weaponry and equipment at your disposal wield impressive versatility, as well. Your ninja hat, for example, acts as a boat, snow sled, and overall protection against flying arrows and falling debris.

But behind the smoke and mirrors parlor tricks essential to the ninja trade, a handful of flaws rear their ugly heads. Mini Ninjas strays from its own beaten path disappointingly little. Eventually you’ll tire from gathering dainty plants, decking silly mini (or in some cases, giant) enemies, and breaking probably expensive pots. The commonplace hunt-and-gather missions render the more carefully hidden treasures into cheap yard sale trinkets. When the game does veer towards something new, it either fails sorely or taunts you with a fresh taste of ephemeral action. The avalanche aka sledding sequence nudges excitement with a stick, but the technical frustration nips any possible thrills before they can flourish.

Mini Ninjas sustains quite a few odd yet minor bugs concerning maneuverability and functionality, including rotating your makeshift boat and aligning your character with the ropes spanning buildings. Plus, although enemies gradually advance in more ambitious and trying waves, you’ll practically be swimming in health and other replenishing items; even in the toughest battles, deaths are few and far between. Despite all that extra magic and commodity, your supposedly convenient Ki wheel never expands slot-wise, forcing you to rummage through your inventory menu instead.

Mini Ninjas delivers better as a rental: It has an innovative concept and inspiring visuals, but replay value and entertainment rewards simmer down after several hours. Character extras delightfully tell the ninjas’ origins, but the in-game storyline could have benefited from such charming personality. Like the breathtaking world, the dominating features might be superficially breathtaking, but the qualities underneath lose their polish, sucking the mystery out of the ninja heart. 7/10

Tags: Eidos Interactive, IO Interactive, Microsoft Windows, Nintendo DS, PlayStation 3, Warner Bros. Interactive Entertainment, Wii, Xbox 360
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Spawn Kill Favorites: Bioshock

This February promises the highly-anticipated sequel to the action-adventure RPG with a dash of horror, Bioshock. But what was so great about the first game’s underwater dystopia, you ask? Hop on over to Spawn Kill and check out my review, which went live yesterday (hooray!).

Few video games arouse genuine nirvana in players, but even less promise a blossoming underwater world only to swallow gamers whole and leave them wanting more wretched decay, both lovely and sanguine. BioShock is one such praised gem, and experiencing the game without feeling like the developers literally poured their souls into its creation is virtually impossible. Indeed, BioShock at its very core flourishes as a polished experience, and quite a mighty one at that.

Tags: 2K Games, BioShock, Mac OS X, Microsoft Windows, PlayStation 3, Spawn Kill, Xbox 360
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PS3 Review: Assassin’s Creed II

However innovative Assassin’s Creed was, it ultimately failed to shine. Plagued by flaws and repetitious action, many tossed the box aside before even reaching the supposed grand finale. The sequel promised to remedy those problems, and thankfully the developers built a much steadier foundation this time around.

Assassin’s Creed II still follows the same brittle formula as its predecessor: The player enters the ancestral link of the Animus; assassinates a bunch of targets, each more fallible than the last (more now, so half of Italy); explores cities while avoiding Templar guards. But besides offering countless missions and puzzles, there’s one thing AC2 delivers that the first game dismissed. If you guessed character interaction as rich as Italian nobles, then consider yourself savvy. Regardless of whether or not you favor Desmond or even Ezio Auditore, the oblivious but handsome protagonist of Renaissance Italy, there are dozens of other characters to gush over (or loathe)—including the humorous Leonardo da Vinci. Even voice work impresses alongside the intriguing musical score. Assassin’s Creed II incorporates all its historical research by allowing you to access said information when encountered. The result? A mind-blowing world as interactive and thriving as the 15th-century.

The developers clearly paid attention to the blunders of AC—you don’t travel back and forth between cities nearly as often, for example—but they made a few errors of their own. The game’s “puppet controls” are euphemistic QTAs, and they’re just as annoying and randomly placed. Although an indicator pops up as a signal, you’ll probably be reading those wonderful Italian translations instead.

Thanks to the wealth of missions and weaponry consciously livened by fresh scenarios, gameplay rarely feels dull and readily connects with not only Ezio’s story, but Desmond’s and Altair’s. While scaling buildings for viewpoints remains intact, Ezio can reach higher ledges after learning a certain technique. With vendors scattered about cities, you can beef up Ezio with armor, health supplies, weapons, and even ammunition like smoke bombs. The several factions (NPCs) at your disposal, though sometimes vexatious, are surprisingly efficient and minimally glitch-impaired. Mercenaries, courtesans, and thieves will allow you to advance unscathed and make your pocket delightfully weightier. Money isn’t hard to come by—but equally as easy to spend.

Hunting eagle feathers might be as boring as hording flags, but at least there’s a manageable number and treasure at the finish line. Even simple tasks like blending and stealing are more intelligently designed, as are assassination techniques. Plus, this assassin can swim. Finally.

There are troublesome areas, though. Earning money is good and well until you have to return to a single location to retrieve it; tearing yourself away from your current activity to collect interest just doesn’t appeal. Whereas you always know where your money is and wish it were closer to your Italian destinations, navigating your map can be a clueless experience. Showing which way Ezio faces at any moment could have easily resolved such open-world woe. Not to mention frequent and sluggish load screens add to the headache.

Once child’s play, combat demonstrates a vast improvement from the series’ trial run. Countering won’t always do the trick in battle; some guards are outfitted with superior armor and weapons, making disarming and executing a satisfying feat. Although fights don’t always flow smoothly, with a convenient weapon wheel boasting a versatile selection of items, you can turn combat from a mundane hindrance to an exciting chance to show off your moves.

Bottom line, Assassin’s Creed II is one of the most playable, entertaining, and visually stunning games of the year. Not everything sparkles the way it should, but the incredible historically detailed environments, engaging character stories, and meticulous improvements to the sins of the old provide a sensory overload of quality. As for the ending, you might cringe a little at the overused danger it implies. Let’s just say we might look for Assassin’s Creed III come 2012. 9/10

Tags: Assassin's Creed II, Microsoft Windows, PlayStation 2, Ubisoft, Xbox 360
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Bleepin’ Blips: Never-Ending Fantasy

Another Bleepin’ Blips article is on the front page of RadNerd—and this time it deals with none other than Final Fantasy. But what’s not to like about Final Fantasy, you ask? Just hop on over to RN and find out, and leave a comment under the tree! I want to know what you think!

Happy holidays! Drink lots of special eggnog!

Do you suffer from uncontrollable, bleepin’ rage at something in the gaming industry? Have you smashed TVs by flinging controllers, or made your thumbs bleed with all that unrewarded determination and mad skillz you’ve been dishing out? Here at RadNerd, we feel your pain. Literally. This new ongoing feature will channel our anger in a healthy way … we hope.

Fans of the runaway savior, Final Fantasy, know its golden past with fervor and pride. Given life by Hironobu Sakaguchi, the original RPG was devised to save Square from what looked like inevitable bankruptcy and doom. But gamers loved the shining NES gem—with its Light Warriors and sleeping elf princes and time conundrums—and the rest is … well, history.

Over the years, Final Fantasy has earned a reputation for more than just stellar graphic innovations and remarkable storytelling: It’s also put on its weight in hours. Each installment seems to bring another clock bursting with minutes that shower down upon gamers in pretty little sparkles, dazzling them with expansive worlds, epic battles, and tear-jerking plotlines. But is it becoming too much? Has the scurrying of feisty Chocobos feet swept dust over that line that begs, “Enough is enough?” Should I make like a Cactuar and flee already?

Tags: PlayStation 3, RadNerd, Square Enix, Xbox 360
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