As the most acclaimed of the series, Silent Hill 2, much like protagonist James Sunderland, shoulders a considerable burden. After nine years, do the mannequins and geometric monsters still emerge from the woodwork as viciously as before? Revisiting that “special place” should fill any gaps in memory. I plugged in a PS3 controller and loaded the PC version, companion to the PlayStation 2 and Xbox editions.

What You’ll Like

Turn Left on Nathan Avenue

Restless Dreams blankets players with the town’s looming isolation. The sirens, otherworlds, and even the staple flashlight and radio slowly drop into the player’s lap. Between Sunderland’s impeccable map-keeping abilities and the direct tactic of gameplay, players can navigate Silent Hill without breaking too much of a sweat. Memorable, unique architecture distinguishes key locations, and the heavy atmosphere complements the dreary wallpaper settings. Akira Yamaoka’s outstanding musical score and his fifty-plus sound effects provide each moment a haunting undercurrent.

Of Special Interest

Although James often pines over his late wife, even he enjoys a good puzzle—and so will the player. In addition to the several gameplay modes, selecting the riddle difficulty ensures a manageable experience. Logical and fair, the puzzles occasionally call for pen and paper solutions, but the clues rarely stump for long.

Fighting, split between light and heavy attacks, proves an equally satisfying affair, and James can target different enemies with a quick tap. A little exploration returns a big profit, as the game packs surpluses of ammo and health into its nooks and crannies. Keeping the flashlight shining will attract James’ attention to any noteworthy item, as well.

You Say Mary; I Say Maria

Silent Hill 2 gushes with more than blood: It writes the book on psychological horror. Voice-acting striking a reasonable chord, the dynamic characters interact purposefully with James throughout the gradually developing story, which is topped with a grand reveal. The clever scares, second only to the intelligent psychology manipulating them, lure players deeper into James’ mentality.

Pyramid Head, who has become the series’ go-to icon, triumphs as an unsettling antagonist, goading players onward through paranoia.

“Born from a Wish” places the seductive Maria in the midst of a haunted mansion. The extra scenario offers a less engaging run-around and little incentive other than a deeper look into Maria’s character, which interested players can appreciate.

What You Won’t Like

Look Sharp

Sometimes the game’s eerie perspectives enhance the frightful effect. In many cases, though, the stubborn camera controls inhibit exploration and acts as a nuisance, particularly upon entering rooms. James’ health meter also suffers from poor construction. Except for the unmistakable red health sign that appears when James is about to keel over, the static distortions viewable from the inventory screen give a lazy estimate of his overall status.

Recommendation: Rewarding and gripping, Silent Hill 2 expertly handles its love story bridled with horror. A solid game, players will find themselves venturing through the fog more than once, minor inconveniences doing little to dent the impressive experience. Few will forget the terror waiting among James Sunderland’s memories … unless they can’t bear to remember. 9/10

Review format credited to the Girls Entertainment Network

Oh, Silent Hill, how I adore you. Thanks to the PlayStation Network’s inclusion, I recently revisited the PSOne classic on my PSP. So despite the voice-acting that makes soap operas sound like Shakespearian language, what distinguishes Harry Mason’s experience and keeps the aging title memorable? Find out at Spawn Kill.

One decade ago, Konami left a neoteric imprint on the survival horror genre with Silent Hill, a video game that would inspire a number of future titles, a movie, and several books and comics. But Harry Mason’s investigation into the fog-covered town and its strange occurrences accomplished more than just a household name among the likes ofResident Evil. The heart-pounding adrenaline rush introduced gamers to a nightmare founded on psychological Japanese horror and an equally unnerving musical score by composer Akira Yamaoka.

I’ve been meaning to catalog the full Silent Hill history for awhile, but now couldn’t be a more perfect time. Unless I’m screwing up the math (which is possible, trust me), then January 2010 marks the full ten-year anniversary of the survival horror series. What better way to celebrate than to take a look back on the years with all their missteps and achievements? … Okay, well, I guess we could all dress up as the crazy gang of monsters and characters and put on a performance enacting famous scenes from the video games in a thematic party, but maybe that’s a little much. Eh, there would be punch, though.

Who’s your favorite Silent Hill individual?

For the last ten years since its 1999 debut, the Silent Hill video games have launched gamers into the heart of a macabre town crawling with unearthly creatures, cult secrets, and enough horrid psychological chicanery to justify a happily executed lobotomy. Despite the series’ notable footprint on the surface of the survival horror expanse, each installment bears its respective weight in flaws as terrifying as its disgusting creatures and unsettling music. So what makes Silent Hill unique and massively popular among horror addicts? Here’s a rundown of the Silent Hill landmarks that established the series and an envisioning of what fans can expect in the years to come. Feel free to add your own tribute in the comments below!

Wake up, Henry. Clever fans will note the connections between the fourth game and previous installments: from the significance of the superintendent Frank Sunderland’s name to the mysterious “There was a HOLE here; it’s gone now” in SH2 and the repeated mentions of a certain murderer throughout the series. Wonder no more, because Silent Hill 4: The Room means to unravel the truth—whether you like it or not.

What You’ll Like

21 Ways to Die

Henry Townshend finds himself inexplicably locked in his apartment for five days. The windows won’t open, nobody on the outside can hear him when he yells, and somebody’s chained his door from the inside along with the friendly note, “Don’t go out — Walter.” When a strange hole forms in his bathroom wall, that’s when the nightmare really begins.

Your apartment, haunting-free. You live on wine and chocolate milk, apparently.

“Walter” turns out to be the name of a deranged serial killer named Walter Sullivan, who believes he can resurrect his “mother” by carrying out the ritual of the 21 Sacraments—which consists of twenty-one separate murders, including his own suicide. Henry crawls through the hole in his apartment to different Otherworlds, where he meets the last of Walter’s to-be victims; he can do nothing to keep Walter from killing them and ensuring their deaths in the real world, as well. Soon he and his neighbor, Eileen Galvin, are the only two intended victims still living.

While the characters aren’t developed much due to their, erm, untimely deaths, the story itself plays out in a unique and incredibly chilling manner. You’ll be dragged down into the abyss with Henry—especially once your apartment no longer acts as a sanctuary, instead susceptible to various types of deadly haunting. The Room specializes in a genuine feeling of suffocation and growing isolation: People are dying around you, and no one outside your room can hear your cries. On top of that, you’re left with a frighteningly nonexistent sense of control. Henry becomes an unwilling servant to the 21 Sacraments, forced to stop an immortal Walter from completing the ritual. Ghosts can’t be killed, only warded away or stopped; half the time you have no idea where the Otherworld holes are going to take you next; your apartment and soon the entire building becomes a hell, whose limits Walter eventually breaches. No place is safe, and the game you thought you were playing starts taking on an entirely different set of rules.

Lose the Black, Keep the Trenchcoat

As far as villains go, Walter Sullivan succeeds at freaking me the hell out—and he completely takes advantage of that fact. With a blood-stained, terrifying visage and an intimidating demeanor, Walter lives up to his serial killer name. The first time you meet you practically run into him on the stairs, and before you can even think to run away, he starts having a pleasant conversation with you. Of course, he actually intends to trick you by giving you a cursed item. From the beginning, Walter toys with you, knowing he’s saving you for last. From the hospital scene to the forest chase, Walter’s actions are horrifyingly unpredictable … and wonderfully so.

This washed out picture really doesn't do Walter justice. I'll be over there, crying.

The Cut-Out Heart of Interior Decorating

The Room boasts detailed, grotesque environments completely aware of their place. Your apartment feels bland, like all crappy apartments are—at least until hauntings begin to adorn it with bloodied chairs, faces in the wall, and children’s shadows in your closet. Regardless of evil spirits, each time you return to room 302, there’s something new to be discovered—whether it’s red diary pages from the resident before you tucked neatly under your door or Walter stalking you through your door’s peephole.

And of course, Akira Yamaoka provides an always excellent score; strengthened with vocals by Joe Romersa, the soundtrack wields some of the best vocal songs in the series.

What You Won’t Like

Next Time Bring the Chocolate Milk

The concept of traveling through holes to other dimensions—which reveal the secrets of the cult-run Wish House where Walter grew up—plays out well until you’re burdened by inconvenience. Silent Hill 4 bears the shame of being the only game in the series with a limited inventory system and no means of discarding, which means you’ll have to make frequent and annoying trips back to your room and dig through its storage box in order to progress. Combat suffers from cumbersome execution, as well. Although the dodge and charge features are helpful, there’s no way to efficiently switch between targets.

Monkey see, monkey do. Enemies aren't too difficult once you know their mannerisms.

Having virtually no control over your situation makes for a captivating story, but not when it comes to gameplay. You’re given practically no guidance as to why collecting saint medallions and saving loads of health are important measures to take for later in the game, which can lead to a decent dose of frustration.

And speaking of that, Eileen might be that caring and self-conscious girl next door you never get the chance to ask out since you’re, oh yeah, trapped in your room thanks to a madman, but she quickly becomes one of the worst examples of escort missions. She’s injured to begin with, and her limp and clingy nature means constantly making sure she’s close enough to follow you through doors. This quickly becomes irritating due to the growing presence of ghosts and Walter, who turns aggressive in the latter half of the game. Plus, Eileen can’t drop down holes or use ladders, so you’ll have to find a different way to move from Otherworld to Otherworld. However, she can be surprisingly advantageous a fight, and needs much less healing than Henry.

Hurry, Henry!

The pieces slowly come together in the first half of the game, but the second chunk with Eileen focuses too much on cramming story and gameplay into several hours’ time. Returning to your apartment won’t heal you; although the interaction between the Otherworlds and your apartment—like it’s being contaminated by Walter’s reality—makes the game more interesting, the hauntings don’t really start until the second half. You’ll want to hunt down every holy candle you can, because later each visit back to your apartment means another haunting to clean up before the situation worsens.

Ghosts will give Henry (and you) a sizable headache.

Not to mention you can almost zip through the Otherworlds revisited, whose maps are significantly less extensive the second time. Compared to previous Silent Hill games when the sirens take over, the change here feels more than a little lacking.

Silent … Mountain?

The game begins in South Ashfield Heights and takes you to Otherworlds near your apartment—the subway, St. Jerome Hospital, etc. Silent Hill has little do with it, including the style. Ghosts have never had prominence in the series, and the absence of boss battles causes the game stray from the usual, too. I’m an advocate of giving series titles the room (no pun intended) to evolve, but not when it comes to wandering away from its spirit (again with the puns) entirely. The Room probably would have been better off if it had been released as a separate game altogether. At least the voice-acting is decent … except for the emotionally stunted yet handsome Henry and his hilariously emo way of dying.

Recommendation:

While I enjoyed The Room, it wasn’t until my second play-through that I truly warmed up to the game. It barely holds on to the name Silent Hill, for gone is the flashlight and sirens, heavy shadows, and psychological torment. As far as horror goes, SH4 does a decent job, yet perhaps not on the level of the series’ previous titles. For a game that only requires around ten or eleven hours depending on whether or not you know what you’re doing, a more even pace for the latter half would have done a world of good. Even though flaws in execution bring Silent Hill 4: The Room down a notch or two, the overall experience is still impressively worth the, well … sacrifice. 8/10

Handsome Haunted Henry.

Review format credited to the Girls Entertainment Network

Welcome to the Order. Drop your shopping bags at the door and finish that Happy Burger, because you’re in for hours of religious chatter, bloody carousel rides, and enemies far from cutesy rabbits that are sure to make you lose your appetite. Even Robbie the Rabbit doesn’t smell of cotton candy.

What You’ll Like

Riddle Me This, Heather

Meet Heather, the first female protagonist in the Silent Hill series. She’s also the daughter of Harry Mason, the first unfortunate soul to wander into the black heart of the evil town of Silent Hill. The story throws her into her own demented world of evil malls, bleeding rooms and twisted mirror reflections, and demon gods. With an inevitable connection to Silent Hill that prevents her from returning home safely and escaping the nightmare haunting her, Heather’s fearsome experience falls in line with the series’ past expressions of darkness and torment.

James Sunderland is around here somewhere.

Puzzles are a staple of that torture, and Silent Hill 3 readies a decent horde of them for you to solve. They’re mind-bending and involve annoying amounts of numbers and word play, like all good puzzles should, and they’re not ridiculous enough to cause you to run to GameFAQs crying in shame. Like the good old days, you’ll probably need to whip out a piece of paper and a pen, so keep some handy.

Remember to Accessorize

What teenage girl would be her best without a few accessories? Thankfully, Silent Hill 3 comes bolstered by some nice features. Akira Yamaoka and Mary Elizabeth McGlynn join forces again for one of the best SH OSTs in the series. At the end of the game, you’ll be able to view an extensive list of stats to see how you well you’ve ranked overall and in specific areas—from boss fights to item hunting. Plus, due to the catalog of difficulty modes, a wealth of extras awaits you if you feel inclined to relive the adventure.

What You Won’t Like

Roll Credits, Already

Unfortunately, the third installment offers one of the worst and underdeveloped stories in the series. Basically a continuation of Harry Mason’s experience and run-in with the town’s religious cult, this time the Order’s “salvation” rests with Heather, the (spoilers) reincarnation of Alessa from SH1. Those who haven’t played the first game will undoubtedly be confused by the significance of the plot, which acts as more of a conclusive extension than a stand-alone romp through the monster-infested Silent Hill.

Many of us can relate to this boring and large, empty mall.

The game only requires roughly half a dozen hours to complete, and even less than that if you know what you’re doing. Certain unnecessary factors are to blame for the game even lasting that long; one of them being the frequent, repetitive cut-scenes with which you’re bombarded. With only four characters—and only two of them boasting any personality that you won’t absolutely loathe—and little fresh material to work with, most of the time they end up rambling on and on about the same things. Think of how many different ways you could talk about god in a religious cult context, then throw in a little extra baggage, and you’ll have a good idea of the flow of SH3‘s story.

Not to mention three of the characters are presented with opportunity after opportunity to give their mutual enemy the bullet, but inexplicably none of them seize it. It takes an injured and lousy detective, a dagger in the back (and heart), a lifetime’s worth of trauma, and the birth of a god to finally shut her mouth.

Talk to the Hand

When you’re not running around clueless to what you should be doing, or collecting random “key” items because somebody’s been watching too much MacGyver, you’re running around clueless while evading enemies like they’ve got cooties. Most of the time you’ll end up simply bypassing the easily distracted monsters, which can usually be accomplished without too much trouble granted you keep moving and you’re not exploring a cramped space.

The hospital staff are always complaining about Heather's messes.

Actually trying to navigate like a normal person can be a challenge, though. The game’s control system—which uses one analog stick to move and the awkward choice of a shoulder button to readjust the camera—could definitely use work, but at least Heather can block attacks and thus reduce the damage taken. On the offensive side, though, you’ll have to work with a shoddy aim at best.

Pick a Weapon, Any Weapon

Even without the unlockable, special weapons, Heather can beat, slice, barrel, and fry her way through masses of foes with a large arsenal at her disposal. However, most of them are completely useless, even as a last resort. Once you find the katana, you’ll never feel the need to use anything else unless you’re up against a boss—and even then the blade has its advantages.

Recommendation:

If you’re looking for a Silent Hill game to play, unless you’re a diehard fan and veteran player, Silent Hill 3 shouldn’t be your first choice. On top of the slow and torturous cut-scenes, the constant array of in-game music that eventually ceases to sound intimidating, and the severely frustrating gameplay (and Slurpers, damnit) that continuously forces you to backtrack, the game adds up to something more trouble than its worth. It might tempt with a few strongpoints—especially when it comes to its almost suffocating sense of dread and the genuine, subtle scares trademark to the series—but when you take a closer look and detangle the mess, you’ll start to question if there’s really anything there at all besides a squirming, demonic blob thing you hacked up and then watched somebody else swallow. 6.5/10

The following scene makes no sense out-of-context and is therefore hilarious. Enjoy.

“Sorry, I ate some bad game.”

Review format credited to the Girls Entertainment Network