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Where fiction collides.

Archive for October, 2009

Published: Thursday, October 8th, 2009

Bat-Reviews: Streets of Gotham #4

Just look at that awesome cover art of Mr. Zsasz, one of my personal favorite rogues from Batman’s gallery. The actual comic should be just as great, right?

Batman: Streets of Gotham #4It’s somewhere in between good and bad, I’d say. Batman: Streets of Gotham #4 follows up on the Black Mask’s seemingly generous donation to Zsasz’s criminal interests, which led to a new look and the means to fulfill it. Logically, the next issue would more deeply explore the results of Victor’s new-found fortunes, but instead the comic takes an outside view—starting with Hush and working its way to none other than the Broker. There’s nothing wrong with the narrative technique, really, and Paul Dini’s decision to take his time reinventing Zsasz, but strangely nothing seems to progress, either.

Hush is on a tight leash now that Zatanna’s illusions allow Bruce’s astute allies to keep a close watch on Tommy and his sudden passion for charity and public image. Knowing the villain, it won’t be long before he figures out a way to slip past their careful detection.

Quickly, we’re taken to a scene that works its way in later, but is perhaps needless. The connection is loosely made, and acts more as background filler than a crucial part of the issue. Likewise, the events with the Broker—while making for an interesting character story, especially later on—don’t feel essential, either, nor necessary to the current, larger storyline Dini is creating. After dealing with the Great White Shark, the Broker (aka Sherman Fine) recounts Gotham’s days as the Wonder City of amusement parks, wax museums, and other gaudy attractions that eventually died out, leaving manufacturing and crime to expand in its absence.

The following scene with Zsasz shows his first steps at the expense of Black Mask, and shortly after the story wraps up and moves on to the secondary feature with Manhunter and Jane Doe (still enjoyable, but not as solid this time around) and a cheesy preview of R.E.B.E.L.S. Annual #1: Starro the Conquerer (writer Tony Bedard and artist Karl Moline).

Streets of Gotham #4 doesn’t satisfy as much as it did previously, but it wasn’t bad enough to caution that the book might be in any sort of danger. Dustin Nguyen and Paul Dini still make an excellent team, and I’m eager to see what the writer does with Zsasz and Hush. Let’s just hope there’s more of a focus next time.

2/5 Bat-Bombs!

Recommendation: As good as one of Tommy’s sappy public speeches as Gotham’s most popular bachelor. Sniff. Beautiful.

Curious how the Bat-books stack up here on the blog? Look here.

Published: Thursday, October 8th, 2009

Review: Robot13 #2

Robot13 #2

When Robot13 #1 came out, I was impressed by the highly original idea and strong art (despite its likeness to Mike Mignola’s trademark visuals). Recently I was given the chance to review the second issue, which comes out on October 16th. But does it live up to my high expectations, or flounder in those monster-infested waters of its own lore?

You’ll have to find out over at the Girls Entertainment Network. Let me know what you think!

Published: Thursday, October 8th, 2009

Bleepin’ Blips: No Rooster Hat Can Save It

Bleepin' Blips: No Rooster Hat Can Save It

Do you ever feel the overwhelming need to throw a fit over something in gaming that just ticks you off beyond belief? I certainly do. So this week at RadNerd I launched a new ongoing feature in which I do just that. Instead of chucking the controller at someone’s head, every now and then I’ll be channeling my untamed fury into hurtful words upon words.

You can read the first tale of epic fail now.

Published: Monday, October 5th, 2009

Review: High Moon Vol. 1

Graphic Novel Review: High Moon Vol. 1

Step away from the sunlight, Twilight. Get away from that movie poster, zombie. How about some good ol’ monsters and werewolves instead?

David Gallaher and Steve Ellis’ comic, High Moon, is now available in print—the first volume, anyway. It’s absolutely fantastic and worth every penny you have hiding in your couch, so add it to your list. And if you’re really cheap and have too much time on your hands, you can read it all from the beginning at the Zuda Comics website. But, you know, maybe you could afford to live a little? Don’t make me sic Macgregor on you!

You can read my review over at the Girls Entertainment Network.

Published: Sunday, October 4th, 2009

Taking a Lesson from the Spider and the Bat

Taking a Lesson from the Spider and the Bat

Marvel and DC have some explaining to do, and two familiar comic characters are going to set them straight. Any guesses as to who? Have absolutely no idea what I’m talking about? Then head over to Impulse Creations for my latest op-ed … and stick it to the man.

Let me know what you think!

Published: Friday, October 2nd, 2009

Bat-Reviews: Batman and Robin #4

I wasn’t too impressed with the previous issue, but Batman and Robin #4 kicks things into high gear once again, thankfully. Pyg is out and down for the count for now, and Grant Morrison introduces a new villainous team that could tear Gotham to pieces. So will we witness some serious contenders, or will the red-fisted duo see the insides of cells at Arkham Asylum before the year is over?

Batman and Robin #4Last time a new Red Hood recruited the only defective patient of Professor Pyg—one whose mask didn’t send her over the cockoo’s nest just quite, or at least not in the way that was planned. Now Red Hood and Scarlet are causing mayhem left and right, and they make their first mark of the series with Lightning Bug. Philip Tan, taking over for Frank Quitely, draws a mean pair of criminals, that’s for sure—and some of the panels are simply amazing.

Scarlet’s humor falls in line with things Damian would say (“It’s called ‘dying’”), but the Red Hood has an air about him that’s almost cheap. In between deciding over which tagline is more bad-ass for his cause (“Let the punishment fit the crime”), putting on an explosive show, and considering their work more presentation than actual true viciousness (“It’s cool, scary, modern, edgy, whatever …”), it’s hard to think he’ll put up much of a fight. Regardless, he seems rather competent, and the already growing dynamic between he and Scarlet helps cement the issue’s worth. Not to mention I love the obvious parallel between Red Hood and Scarlet and Batman and Robin. What can I say? I’m a sucker for a good parallel.

Similarly, the partnership between Dick and Damian once again intrigues, particularly in the scene on the rooftops. Plus, when Dick meets a new player in town, Oberon Sexton (aka Gravedigger), the eerie tension is enough to give you chills. A meeting of criminals—perhaps too Black Glove for my taste, knowing how that turned out in the end—foreshadows more danger and continues Morrison’s turn towards widespread viral destruction of Gotham rather than just bullets and costumed terror. A strange idea, but one that could work well with the so-called new age of Batman comics.

Batman and Robin #4 packs in a good issue while setting up a lot more; if you’re not on board yet, you should be. I’m just glad my worries over B&R #3 eased with the beginning of “Revenge of the Red Hood.”

4/5 Bat-Bombs!

Recommendation: Next issue: The solution to the riddle of the corn dollie. We’ll wait. We can totally wait.

Curious how the Bat-books stack up here on the blog? Look here.

Published: Thursday, October 1st, 2009

Book Review: The Spy Who Came in from the Cold

If you’ve ever wanted to read spy fiction, then you can’t go wrong with John Le Carré’s The Spy Who Came in from the Cold. The espionage tale follows British agent Alec Leamas, who longs to end his career and seeks to do it by carrying out one last assignment. He suffers dishonor and wades through dangerous secrets, but an even greater peril interferes when he engages in a romantic relationship with a simple Communist woman named Elizabeth Gold.

The Spy Who Came in from the ColdIsolation and empty concepts of identity seem to be patterns at the root of spy novels, but Le Carré’s work accomplishes something quite unique and devastating. The life of a spy quickly mutilates the passion of curiosity—especially for a double agent. Questions constantly weave in and out of the narrative, which Le Carré fashions carefully enough to make the reader plunge into the same convoluted world of espionage that Leamas endures. God is in the details, as some would say, and the author’s style certainly fulfills that idea.

But those questions, just like curiosity in a spy, get you nowhere. Gaps between and within chapters are purposely placed in order to keep the reader’s knowledge of the true, intimate text at bay; just when the reader thinks he understands what’s going on, something happens in between the lines that turns that perspective upside down. While the protagonist, Leamas, emerges with years of experience in the field, the typical reader comes with startlingly little—and our ignorance is put on display when events seemingly unfold before our eyes yet Leamas appears totally aware of their development.

The novel’s beauty lies not just in its commentary on the time period, but clearly in its craftsmanship; it flourishes in Leamas’ nature, as well. It’s arguable by the end of the book that we know even less about him than we did at the start, and perhaps Leamas himself has become truly lost. Moreover, the ending resonates a frightening reality about the life of a spy that should, by rough description, be quite expected. Yet it still manages to unsettle us, as it does the main character and Liz even before we reach the final lines—which leads one to wonder if Le Carré’s ultimate intention was to dress us all up in the manner of spies and then abandon us out in the cold, taking us for fools playing at a game we can’t understand. Fittingly, the same topsy turvy set of morals courses through the book and shines with vivid clarity in the last few chapters.

The Spy Who Came in from the Cold holds a powerful element of transformation within the depths of its pages, and the real joy seems to bud from the mere experience of the read itself—making Le Carré story one not only worth exploring, but coming back to time and again. There’s a reason novelist Graham Greene praises it with the claim, “The best spy story I have ever read.”