What Is Techno Again?

Where fiction collides.

Archive for June, 2009

Published: Monday, June 29th, 2009

Sounds of Nostalgia: Silent Hill

Sounds of Nostalgia

Do we need an excuse to play old games? Hell no! But sometimes music from OSTs can inspire us to try new ones or revisit past loves like dirty, secret affairs.

There’s nothing quite like Silent Hill. The survival horror series stands on its own, and while the games aren’t quite what they used to be, they’re still as screwed up as ever. Even the not-so-great Silent Hill movie succeeds as one of the better adaptations, especially since it manages to retain the spirit of Silent Hill with so many nods to the fans—not to mention my favorite scene, where Pyramid Head rips the skin off Anna.

Anyway, few fans can forget the first installment of the series—the game that redefined “what the fuck” moments. Who can mistake the classic alley scene at the beginning? Or the first time you were thrown headfirst into the dreaded otherworld—which I’m pretty sure is what hell really looks like. From static radios to monsters in the fog, exploring hospitals and cursing at the sudden lack of road before you, Silent Hill truly grasped the raw notion of horror and made you stare at it mercilessly before shoving you blindly into hell. The combat system might be worse for wear, but we loved the game for its ability to scare the shit out of us with psychological, weird stories that don’t make a shred of sense but horror scenes that completely do. And the puzzles were always annoyingly fun, like they should be.

While “Promise (Reprise)” ranks high as one of the best Silent Hill songs, it’s hard to scrub the eerie beginning of the “Opening Theme” out of your psyche. And isn’t that just perfect?

What are some of your favorite Sounds of Nostalgia?

Silent Hill

Published: Sunday, June 28th, 2009

Peter David on Fallen Angel: Reborn

Interview with Peter David on Fallen Angel: Reborn

If you’re an Angel fan, chances are Illyria ranks high on your list as one of the television show’s best characters. Amy Acker’s impressive transformation from the sweet and bright southern gal Fred to the cold, dangerous demon goddess Illyria took us by storm in the final season. Unfortunately, we didn’t see nearly enough of Acker’s performance on screen. We mourned the lovable Fred at the same time we fell head first for Illyria. Boys drooled over her, and girls wanted to be her (I mean, just look at that awesome outfit, right?).

Like with Buffy the Vampire Slayer and Dark Horse Comics, the characters of Angel live on in new adventures from IDW Publishing. But now fictional master Peter David is introducing Illyria into a whole new universe—the domain of Bete Noire in his own comic, Fallen Angel: Reborn. If you’re at all familiar with the comic, you know that throwing Illyria in with the likes of Liandra is sure to stir up some controversy. But whether you read Fallen Angel or not, you might be puzzled about how Illyria could fit into a non-Whedonverse comic.

That’s exactly what I asked Peter David in my latest interview over at Impulse Creations. He gave a fantastic scoop on what the new four-issue mini-series has in store beginning this July, so you’ll definitely want to hop over there and check it out. It’s a good one, I promise.

Illyria

Published: Friday, June 26th, 2009

Robin, Obviously

All Robins Go To Heaven

The jerks over at BatmanObviously.com put up their latest podcast. In it they reveal the five winners of their blog name contest. My suggestion of “All Robins Go to Heaven” placed sixth, with the excuse that I get “promotional comics all the time for free, so there’s no way in hell I’m sending her free comics.” Whatever. I don’t want their pity comics, anyway.

They also talk about some other stuff, argue for five minutes about a piss bear, and as usual, Jason struggles to speak correct English.

Anyway, you can listen to their hilarious podcast completely devoid of my cheerful sarcasm here.

Published: Friday, June 26th, 2009

Preview: Deadpool: Merc with a Mouth

Preview: Deadpool: Merc with a Mouth #1

Yes. You, too, can enjoy Deadpool’s Human Torch jokes by flipping through the preview pages of DEADPOOL: MERC WITH A MOUTH #1, which comes out next Wednesday. The Girls Entertainment Network now has access to Marvel previews … which makes us like every other comics section/website out there.

At least we’re not linking to somewhere else, right? Right. And you can come to us instead of them. Us, us!

Because I’m lucky and receive nearly all the comic perks under the sun (for working my ass off), I got to read the comic early. Gischler doesn’t quite nail Deadpool like Daniel Way does, but I was surprised at how strongly written he was in the issue. Panels were fun and hilarious, like they should be. If you’ve been reading Way’s DEADPOOL stuff lately—and you should be, it’s fantastic—then you’ll enjoy MERC WITH A MOUTH. So pick it up … erm, on Wednesday. You know. With everyone else.

Published: Thursday, June 25th, 2009

This Monkey’s Not Yet Gone to Heaven

Y: The Last Man

A few weeks ago I blogged about Shia LaBeouf turning down the role of monkey-shouldering Yorick Brown in the upcoming Y: The Last Man movie, which is still being scripted. I respected his decision, considering his reason for rejecting the proposed role was that he didn’t want to be typecast. He felt that by the time the film rolled around, he’d have outgrown it.

Smart move, right?

Well … dunno. Geeks of Doom now reports that the actor hasn’t completely dismissed the idea. He just wants to do some other things first before he actually makes a decision, but he loves the idea. So basically we have no clue, and Geeks of Doom—and everyone else—spoke too soon. Hooray.

Y: The Last Man Vol. 1

Substitute pulling the trigger for spinning the rumor wheel, and you've got the LaBeouf mess.

In other film news, Harry Potter and the Deathly Hallows—based on the last book of J.K. Rowling’s children series—will probably be broken up into two movies, the first ending on a cliffhanger. While the Harry Potter novels are monstrous little buggers jam-packed with plot and other enjoyable fantasy crap, making two movies out of one book is just bullshit. If the Lord of the Rings could pull off one movie for each book in the trilogy and make fantastic films, then Harry Potter has no excuse. They just want to make more cash—it’s as simple as that.

And even though it’s not as ridiculous as splitting The Fucking Hobbit into two movies—around 150 pages, give or take, compared to over 500 pages for the first trilogy movie alone—when nobody cares anymore because the Lord of the Rings movie hype is long over, drawing out the Harry Potter movies is still going to stumble just the same. Why? Because the Harry Potter books have ended, and no one’s going to care about the ever-capricious movies and their round table of directors with dramatically varying styles.

That many hours of hobbits might end up something like this. Oh, the horror!

That many hours of hobbits might end up something like this. Oh, the horror!

Whether you agree or disagree, the point remains the same: They want your precioussss monkey! Err, I mean money. Damnit, LaBeouf.

Side Note: The Hobbit is one of my all-time favorite books, and I love the Harry Potter books, too. I just can’t believe anyone could justify this crap.

Published: Wednesday, June 24th, 2009

Why Longbox Could Help Save the Industry

At Heroes Con last weekend, Rantz Hoseley, the editor of Image Comics’ Comic Book Tattoo, introduced the project Longbox Digital Comics, a program similar in nature to iTunes … only for, you know, comics. The Comic Book Resources write-up about Longbox—which has already joined with Top Cow and BOOM! Studios—addressed the pros and cons from a practical marketing standpoint, but what about the fans’ perspective?

Longbox Digital ComicsFirst, let’s recap the information in the CBR article. Basically, Longbox Digital Comics would launch of wider net to lure in new readers; while people are more black-and-white when it comes to whether or not the idea of reading about superheroes in paneled form appeals to them, independent comics encapsulate a much vaster range of stories and interests. Comics from the Longbox could be downloaded at a proposed ninety-nine cent price, with the possibility of block and subscription pricing, too. There are dozens of outlets the software could potentially run on, including Xbox Live or Kindle—not just your computer. And best of all, that’s less storage/shelving space for your comics and trades, which really comes in handy.

Obviously discounted and easily accessible comics, equip with a digital, organized storage system, would be highly advantageous to fans as long as the options to flip through pages and read panels are served on a simple, well-designed program. Myspace Dark Horse Presents and Marvel Digital Comics Unlimited have shown success, but honestly I think fans would prefer a pay-for-what-you-want system instead of an buffet-styled free-for-all like MDCU. Comics are expensive, and a lot of factors go into how many comics people can read each week, or in a month. Their reading habits and time availability fluctuate with as little as a blink, so fans would definitely benefit from a service that accounts for their cost-effective needs.

While I totally agree with the Longbox idea, the highly informative CBR article—which covers its bases well in terms of marketing and technical details—skips over one of the biggest challenges to the comic industry … something I can’t believe anyone could realistically overlook:

Pirate Bay LogoPiracy.

Oh, piracy: the black word that threatens all kinds of mediums, from video games to music to, yes, comics. The priority alert for comic thieves doesn’t rank as high as other forms of entertainment, so it’s not surprising how easy it is for people to download comics illegally in high-quality, scanned format. After all, the price of comics has jumped, and buying comics proves as addicting and costly a habit as heroin—especially when you consider the expansive Marvel and DC universes that rake in massive quantities of cash based on gigantic, often over-hyped crossovers and ridiculous numbers of titles concerning one character. You can’t count on one hand the number of Batman or Wolverine titles that are at your disposal, which makes it incredibly hard—especially for new readers—to know what’s truly worth reading or even where they should start.

The comic medium is extremely intimidating; it’s no wonder the main complaint deterring the curious from testing the industry’s waters is that they have no idea where to start. People don’t need a road map to read books—the biggest thing they have to worry about is where a book fits in a series—so why should they have to when it comes to comics? Unless you’re rich or are fortunate enough to receive review copies or work in a comic shop, chances are you can only afford a select number of titles to read each month.

Batman: Streets of GothamEnter piracy—the quick solution for all a comic reader’s problems. A fan can dive in and browse as many titles as they want in order to determine what titles they should stick with, and that simple effort of sampling the bottomless buffet saves them unbelievable mountains of cash. Because writers and artists are never constant in comics, neither is—most of the time, anyway—the quality of a title’s issues. If someone can save three bucks by simply downloading a pirated comic, well—frustration averted. Fans can stay up-to-date with their favorite characters, teams, and universes without it costing them a fortune. So with all of this in mind, and considering that comics are constantly ongoing and frequent—which accounts for their soap opera-irresistible appeal—is it any wonder so many fans rely on piracy each week? Can we honestly blame them? Music has the radio; movies and TV series have cable, OnDemand, and local channels; what do comics have? Free Comic Book Day, once a year, with a very limited offering of titles that aren’t even real issues—most of the time they’re just previews.

What the industry needs is low-priced, legitimate digital comics. Ironically enough, even though indie comics don’t reap as much attention as the “Top Two,” their quality can often be superior. The writers and artists at their helm are more constant for longer periods of time, readers don’t have to deal with fifty-plus years of convoluted history, and indie series don’t fall into as many cliche-ridden traps as superhero comics do. Not to mention they’re more consistent in price to begin with. Subscriptions don’t last forever, either, as many indie comics take the form of manageable limited series.

Independent comics—from Dark Horse to Image to Archaia and beyond—would be a perfect fit for a service like Longbox; before you dismiss it with the “not fulfilling the real comic store experience” bullshit excuse, keep in mind that not everyone has access to a local comic shop. And before you turn to online stores, factor in that nearly all of them charge extremely unequal issue-to-shipping costs. The cheapest I have personally discovered is HeavyInk, which I use quite often—but again, there’s processing and delivery time, and considering comics come out every week … the pros don’t always outweigh the cons. So an affordable, practical software like Longbox Digital Comics would not only effectively ease the piracy problem that continues to rot the industry’s foundations, but it would be of huge benefit to a lot of anxious fans, as well.

Published: Wednesday, June 24th, 2009

Review: Berserker #1

Berserker #1

More Milo Ventimiglia news for you. Well, his name’s attached to the comic, but it’s not like he’s the writer or artist or anything.

Anyway, Berserker #1 comes out today, and now you can read whether I think it’s wonderful or if it falls into the category most horror movies do. Not that Berserker is a horror movie, but it definitely contains enough blood for one.

Eh, I’m just going to stop typing and let you check out my early review.

Published: Monday, June 22nd, 2009

Sounds of Nostalgia: Threads of Fate

Do we need an excuse to play old games? Hell no! But sometimes music from OSTs can inspire us to try new ones or revisit past loves like dirty, secret affairs.

I’m jumping ahead to the memorable days of the first PlayStation console in this Monday’s Sounds of Nostalgia feature. The other day I popped in Threads of Fate (known as Dewprism over in Japan), which is probably one of my favorite PS1 games—and a highly underrated one at that. I had forgotten how much great music Threads of Fate has, like “To the Ultimate Relic.” Not to mention loads of hilarity that makes me wonder what kind of magic (Green? Red?) voice-acting would cast on this game if it premiered in today’s next-gen world.

I’m holding my tongue (err … typing fingers) for now, because I might have more brewing about both Threads of Fate and Zelda II: The Adventure of Link in due time, so watch the blog for a special update soon. In the meantime, go hunt down Threads of Fate. You might be pleasantly surprised by how much fun it is.

P.I.N.T.O.! (Shhhh.)

What are some of your favorite Sounds of Nostalgia?

Threads of Fate